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I asked a question on abstract art and got some really great answers from folks on this forum. Thanks. Of course, this got me thinking about further questions in this vein. The question that comes to my mind is that since (according to objectivism) all emotions and reason are happily intertwined and in some ways the same: what does it mean to have a strong emotional response to things like pure color? Ayn Rand herself famously loved blue-green and it is clear it made her happy to see that color. Given that she had this well documented emotional preference for the color, does it follow that this feeling is "rational" and that some colors are "rational" while others are "irrational" ? This seems really strange to me, especially given that people have very strong emotive responses to color. If I absolutely hate, say, red what does it indicate about my rational processes ? is red evil? Most of the time I don't like a color, it is not a clearly considered and thought out process. It is an emotive response. Am I to psycho-analyze myself and see if I am reminded of some bad thing in my, say, youth that was red? That seems a bit cuckoo :-) to me (if not Freudian...). A tangential sub-question is: given that people have strong emotional reactions to color, what is the status of, say, a canvas with two shades of a color one loves ? Is it art ? It is quite non-representational and thus strictly non-art according to definitions that people on this forum have given. My second question would be: what is it, if not art? Finally, even if it is not art, is it "bad" to love a green colored canvas for its color or does one need to find some meadow or a tree or a frog to tie it to ? |
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On "Rational color." Just because one has a strong emotional response to something, does not mean that thing in itself holds some identity that can be objectively related to human psyche. Consider the difference between having a strong emotional response to Hitler - and strong emotional response to the smell of your first girlfriend's perfume. In one case, there are objective standards, which can be applied to the object of Hitler. In the other, there is some personal association, which does not tell you anything about the smell itself. There are German psychologists who claim that there is such an objective relation to human psyche, though. Something like, red implies health and vitality, yellow fantasy and so on. I am not inclined to buy such a theory without an overwhelming amount of statistical evidence. Even then, it is extremely unlikely that the basic objective relationship, should it exist, would not be overwhelmed by memories and associations for a particular person. Imagine growing up in the Soviet Union. Is your reaction to read about vitality or communism? On "Canvas with two shades." No, it is not art, as you point out, by the definition of art, being "selective representation of reality." However, not everything pretty must be art! How about decoration? Nice paint job? Screen saver? Wall paper? We pick all such things amongst concretes that make us feel good without making the claim to art. On "Loving a green canvas." It is rarely bad to love anything, unless there is specific evidence of depravity required to love something so obvious appalling (again, think: Hitler.) Wind chimes, colored canvas, a plastic bag dancing in the wind on the pavement, the smell of coffee, the sound of a child breathing... A thing doesn't need to be art in order to be loved. Thank you Kate. You say that a canvas with two shades of green is "decoration" vs. "art". So by that, I suppose a lot of what people like and call art (eg Miro, Picasso, Rothko, Pollock etc.) could qualify as "decoration" or "wallpaper" ? I understand what you say, but I am still troubled. Through history, most attempts to rigidly "define art" have come from the worst regimes (Nazism, Islamic, Communism). I don't find the New York skyline enjoyable as art nor do I find Hellenic "heroic" men something I want to look at, where does that leave me with "art" as defined by objectivists ? In order to use a concept, such as art, you do need a definition, one way or another. Art isn't, "Well, you know, that thing, everything around you is art." That is hardly a useful concept. The come up with a definition, one needs to look at things one clearly believes to be art and see what they have in common. The look at the things that are not - and understand the difference. Ayn Rand did so and hers is really the only reasonable definition of art I have ever seen: "Art is a selective re-creation of reality according to an artist’s metaphysical value-judgments." Good philosophy requires strict definition of concepts in order to make them useful. Bad bureaucracy requires strict delineation of terms to enforce its arbitrary law. They do have that in common. The difference is in how such definitions are arrived at. In the former case, by examining reality. In the latter, but examining the goal of the bureaucracy as a primary. Consider this: "art is a representation of man's spirit that celebrates his belonging with others." This definition of art would be very precise and useful to a government, which relies on collectivism - but nothing more.
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